ANNA SUI SUNGLASSES

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She was Born in 1955 and raised in Detroit, an Chinese-American clothing designer Anna Sui, also studied at New York's Parsons School of Design, All of the styles of sunglasses/eyewear frames will charm you and stand out like a dream.

ANNA SUI 2003 collection take us back to dream with all the different styles and refined atmospheres, also it's the cosmopolitan elegance of the 1930s, the eyewear comes in a strong impact with colours like Sheer tones, white and black, a tinge of red, the addition of the frames has an style characterised by using small decorrative details which as the temples has an bend which you will love.

The acetate glasses has been improved and use of new variants that make it more appealing, prescription glasses their are new colours apart from the classics colours, of Havana-brown, black, crystal, Gradient blue/light blue, Gradient salmon and Gradient camel.

The new sunglasses are more modern and different like mask lenses, temples which are metal and a triangular endpiece, as well like the lenses shapped like Butterfly, Catseyes and the classics styles.

Anna Sui eyewear line takes its name from the American designer known for her eccentric, often ironic style. This line features 12 ophthalmic / prescription frames and 18 sunglasses frames in plastic and metal. “My objective with the eyewear collections is to continue to globalize my brand. Eyewear is such an important accessory. I want to make it accessible to as many people as possible. Women who can’t afford my dresses can buy my eyewear and get the same thrill and tingle,” says Anna Sui. Targeted to women, the eyewear reflects the designer’s interest in distinctive, modern interpretations of retro shapes. The entire Anna Sui eyewear line is made of high quality metals and plastics, both the Anna Sui prescription eyeglasses and Sunglasses lines have high quality lenses.

Ironic, often purposefully overstated and objects of a glamour that just can't hide the charm of the unexpected, Anna Sui's eyeglasses for Allison recapture the stylistic importance of an accessory that continues to evolve, adding that indispensable evocative mystery to those who wear them.
Anna Sui Vision eyeglasses cover but don't hide a glance: in a continuous elaboration of lines, shapes and proportions, they make all allusions to rétro become new and modern.

The sunglasses, for example, exploit and use many of the successful glamour styles of the past century. Like the wrap-around mask that, with the contrasting combinations of white/black, blue/fuchsia and blue/lilac, allow the model to express itself in utter freedom with patterns engraved with a floral design. A design that also appears in other models, but this time to emphasise the top part of a re-issue of the 1950's "cat's eyes" model, conveying its "now" style to these first few years of 2000.

The same thing occurs with the more linear and classic models, those with the rectangular lenses, where the frame is reshaped with very up-to-date proportions: around the lens, the thickness of the frame that combines black, bronze, green or Bordeaux, widens or narrows to give movements and a streamlined look to different facial forms.
Even the metal models, thanks to a sophisticated process, are able to transfer all the eccentricity expressed by the Sino-American stylist. Pierced corrugated frets similar to lace, flowing curves that chase each other and thick segments that detach suddenly from the lens, all help to outline curious and questioning glances. Just like someone who shuns any commonness and self-indulgence.

Finally, for eyeglasses, the styling process is even more daring. Far from the simplification of the useful, Anna Sui Vision eyeglasses can make a fashion statement out of a necessary operation. Small contrasting crests of colours stand out over lenses with a drop, oval or rectangular shape; low-key hints of optical designs on the temples make even the most classic shapes more alive, while spatial geometry patterns make the round to oval metal models a real trend.

To end with real exercise in styling with a model that makes full use of the aerodynamics of the convertible: the pierced metal frame supports only the lower part of a lens that merges with the forehead.